A high point of the visit to Berlin was creating our own contribution to the Biennale. The section of the Skulpturenpark where Thea Djordjadze’s Fold b (large), 2008 is positioned held some quite informal, but poignant works. Thus inspired, the rejecta found in the area were used to create structures which agonisingly echoed the former utility of their components.

The video recounts the process (courtesy of artintelligence, see links).

Here silently howl materials which once provided shelter to humans. A cry for the no longer useful, the no longer young, the un-cool, the gray, the disappointed, the invisible.